Joël Dollié – Orchestral Music Mixing
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Archive : Joël Dollié – Orchestral Music Mixing Digital Download
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Description
Are you one of the many wannabe composers or sound engineers that struggle to find the right balance while mixing trailer music?
Is it difficult for you to combine string staccatos such that they flow with the rest of the track? And don’t you just appear to be buried beneath the music?
Is it difficult for you to imagine flawlessly tuning the bottom end of a track?
Do you ever wonder if you’re doing too much or not doing enough?
Have you been attempting unsuccessfully to make your mix seem clean, sharp, loud, and punchy?
If you can identify with any of the following, you are not alone.
Fortunately for you, you’ve arrived at the correct location.
Trailer Music Mixing lifts the lid on mixing secrets and misconceptions, revealing all you need to know to mix and master an orchestral composition.
From showing you how to use mixing tools like EQ efficiently, to assisting you in improving your volume balancing; from teaching you how to use dynamic range compression correctly, to allowing you to add width and depth to your recordings; from covering all of the basic orchestral and trailer mixing techniques, to discussing a plethora of advanced methods like reverb tricks, mixing synths, and using multiband compression while mixing, and so on. This course, which contains over 13 hours of video content and a plethora of textual resources, is designed to be a game changer for both beginners and experts.
Is it only a trailer music mixing course?
Certainly not. This course was created to be a complete symphonic music mixing course. Despite the fact that part of the information is geared toward trailer music, practically all of the techniques covered in this course apply to any type of symphonic music. Epic music, film scores, live orchestras, and other genres
Curriculum of the Course
Hello and welcome to Trailer Music Mixing.
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Thank you very much! (1:53)
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First, read this.
Participate in the Community
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Thank you for joining the Orchestral Music Mixing group.
The Essentials of a Great Orchestral Mix
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1 – Headphones vs. Speakers (5:15)
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Spectral Balance is the second step (11:36)
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3 – EQ (16:11)
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4 – Panned (20:41)
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5 – Stereo Enhancers and Width Generation Methods (16:18)
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6 – Microphone Positions (9:50)
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Compression is number seven (38:03)
Preview
8 – Dynamic EQ and Multiband Compression (19:51)
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Sidechain Compression 9 (9:50)
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10 – Restricting (6:30)
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Saturation and Distortion 11 (19:13)
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12 – Reverberation (37:35)
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13 – Automation and Velocity (10:37)
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14 – Synth Mixing, Delays, and Other Creative Effects (18:09)
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15 – Creative Equalization (8:49)
Deconstructions of the Mix and Master
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Mix Deconstruction – Fate’s Machinations (Part 1) (57:16)
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Mix Deconstruction – Fate’s Machinations (Part 2) (57:27)
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Mix Deconstruction – Fate’s Machinations (Part 3) (55:56)
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Master Deconstruction – Fate’s Machinations (16:39)
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Time and Space Deconstruction (Part 1) (60:05)
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Deconstruction of a Mix – Time and Space (part 2) (48:07)
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Time and Space Deconstruction (Part 3) (47:17)
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Time and Space Master Deconstruction (7:50)
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Into The Mines [Live Orchestra] (Part 1) by Deconstruction (34:35)
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Into The Mines [Live Orchestra] (Part 2) by Deconstruction (39:18)
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Into The Mines [Live Orchestra] by Master Deconstruction (10:00)
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Dark Zone Trailer [The Division 2] Mix Deconstruction (Part 1) (58:23)
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Dark Zone Trailer [The Division 2] Mix Deconstruction (Part 2) (54:36)
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Dark Zone Trailer [The Division 2] Mix Deconstruction (Part 3) (52:15)
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[The Division 2] Master Deconstruction – Dark Zone Trailer (6:15)
10 Second Trailer Mixing Experiment
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Introduction
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Stem Pack 10 Second Trailer Mixing Exercise
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Master of Reference
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Trailer Stems – 10 Second Trailer Mixing Exercise
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Deconstruction of a Mix – 10 Second Trailer Mixing Exercise (53:16)
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10 Second Trailer Mixing Exercise – Master Deconstruction (9:28)
Textual Materials
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Plugins for Analog Emulation
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Keeping Sub and Punch in Check
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Compression Options
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Creating a Relaxing Sound
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Frequency Masking and Drums
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Treble Drum Response
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EQ Preferences
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Process, Formats, and Standards for Exporting Trailer Stems
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Staging Gains
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Recap Sheet for the Lower End
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Layered Drum Mixing
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Tone and Texture in Layered Instrument Mixing
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Odd Harmonics vs. Even Harmonics
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Increasing The Volume
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Tips for Orchestral Mixing
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Explaining Phasing
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Getting Your Composition Ready for Mixing
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Reverb Options
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Recap Sheet for Vocal Mixing
Bonus Material
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Masters without Loss
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Part 1 of the Q&A (28:09)
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Part 2 of the Q&A (28:59)
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Combining Contemporary Orchestral Music (Ebook)
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How to Combine Pianos (17:27)
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Going Underground (Stems)
Resources from outside sources
Preview
Resources & Links
What students are saying
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