Corrado Bertonazzi – Register the Battery
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Registration of the Battery
Learn to play the drums, record them, and set up your own home studio.
Do you want to find out how to record drums?
Do you want to record your drums at home and construct a true home studio?
Not sure where to begin?
In this video course, I’ll show you how to identify the best answer for you without spending a fortune.
What benefits does the course provide?
how to pick low-cost equipment
ways to improve room acoustics
pick and place the microphones
learn recording techniques
carry out the wiring and software configurations
finalize the mix and mastering
Use your money wisely.
Throughout the course, I will carefully advise you in purchasing the equipment based on your budget, from very inexpensive to more professional, providing you alternatives and personalized possibilities.
The market is flooded with offers, and the internet is flooded with videos recommending this or that thing, but this simply adds to your confusion.
Instead, picture buying the correct stuff right immediately and being able to gradually incorporate more equipment to grow your projects to recordings – your band.
How much money and time would you save if you knew that for € 500 you could immediately set up a modest home studio and record your battery in high quality?
Who is it intended for?
to those who are starting from scratch and have no idea where to begin or what to purchase to those who have already registered but are never pleased – the outcome to those who wish to enter the world of recording and mixing
There are no prerequisite skills necessary; whether you are completely untrained or already somewhat prepared, you will undoubtedly discover stuff that meets your needs.
Experiences and feedback
Preparation and expertise
“Corrado is constantly one step ahead of the game. Very prepared and open to new information, not just in the realm of drumming. A 360-degree preparation combined with a willingness to always be involved makes him one of the greatest teachers I’ve ever known.”
– Cristiano Sanzeri, production manager / sound engineer (Vivo Concerti)
It resolved my issues.
“It is worth all of the money invested, which is quite little when you consider all of the educational material that is made accessible to you, in an extensive and simply passionate manner.
I won’t go on, but whether you’re a beginner or an expert, there’s something for everyone.
A hearty embrace to everyone who has passed the rock and those who are about to go on the route that opens up and becomes a part of our life in any case.
I applaud everyone who made themselves available to carry out this project, which I think is fantastic since it brings everyone together and brings us together, growing and overcoming many of the challenges that everyone has had and conquered due to technique and guidance.”
Eugenio Gabbio’s
Empathy and communication
“Corrado is first and foremost a good drummer, talented in communication, sympathy, and, most importantly, remarkable curiosity, which allows him to know and understand various concepts and conceptions. A valuable resource for all drummers, young and old. Obey him!”
Andrea Ge, percussionist and music educator (Exilia, Queenmania, Music Academy)
View free videos
The whole set of videos in the course is available here.
To gain a better impression, the videos – the words “preview” on the right – are already available for free.
The course’s subjects
Introduction
preview
Course Subjects (5:23)
1. Select the necessary equipment.
It starts with
Select the recording system (1:12)
It starts with
Audio interface recording (4:47)
It starts with
Recording via a mixer (4:21)
It starts with
Using a handheld recorder, record (2:45)
2. What should I purchase?
It starts with
The machine (3:24)
It starts with
The sound interface (6:41)
It starts with
Rods and cables (2:13)
It starts with
What do you use to listen to it: a monitor or headphones?
(5:28)
It starts with
The computer software (DAW) (4:10)
It starts with
Purchasing used (1:51)
It starts with
The microphones are (2:05)
3. The microphones are
It starts with
Types of microphones (3:42)
It starts with
Price disparities (1:29)
preview
In this case, the greatest quality-price models (1:53)
It starts with
Snare: The finest value-for-money models (5:31)
It starts with
Tom: The finest value-for-money models (1:25)
It starts with
Overhead: The finest value-for-money models (2:43)
It starts with
Should I buy a kit or individual pieces?
(3:11)
4. Budgets for expenditures
It starts with
Budgeting Fundamentals (4:20)
It starts with
Spend no more than €500. (4:37)
It starts with
a budget of up to € 1000 (2:36)
It starts with
Spending limit of € 1500 (5:08)
It starts with
PDF – Purchasing Guide
5. Improve the recording environment
It starts with
Where should the battery go? (4:48)
It starts with
Six suggestions if the room is noisy (10:54)
It starts with
Acoustic panel construction (DIY project) (5:26)
It starts with
How do I soundproof a room? (6:07)
6. The drums are being tuned.
It starts with
The significance of tuning (4:12)
It starts with
The many skin kinds (5:08)
It starts with
Finishing in leather (2:51)
It starts with
How to Tune a Drum Set (21:13)
It starts with
Comparison of Tom stands (11:21)
It starts with
Cross-tuning PDF
It starts with
Remo vs. Evans PDF Comparison
7. Where should the microphones be placed?
It starts with
Checkout (3:54) (3:54)
It starts with
Snare (6:47) (6:47)
It starts with
Tom (2:28) (2:28)
It starts with
Overhead (3 methods) (16:00)
It starts with
Ride and Hi Hat (3:54)
8. Techniques for registering
It starts with
What equipment will I be using throughout the course? (2:09)
It starts with
1 microphone for recording (5:45)
It starts with
2 microphones for recording (3:20)
It starts with
3 or 4 microphones for recording (3:54)
It starts with
8 microphones for recording (6:06)
9. Prior to recording
It starts with
Connect and choose an audio interface (5:42)
It starts with
Connect the audio interface to the microphones (1:41)
It starts with
Bitrate, buffer, and sampling frequency (4:01)
It starts with
Producing audio tracks (4:08)
It starts with
Configure recording volumes (6:33)
It starts with
Examine the phases (12:26)
It starts with
Checklist for operations (PDF)
10. The drums are being mixed (- Marco Sonzini)
It starts with
Recording of a song (live performance) (6:55)
It starts with
Remove the toms (5:02)
It starts with
Panning (2:01) (2:01)
It starts with
Applying the Equalizer (3:10)
It starts with
Make use of the gate (4:09)
It starts with
Making use of the compressor (3:40)
It starts with
The snare drum (3:42)
It starts with
I tom (3:48) (3:48)
It starts with
Room and Overhead (2:17)
It starts with
Make a Stereo Bus (1:59)
It starts with
Making use of reverbs (4:21)
It starts with
Finalization and mastering (5:11)
It starts with
Download the mix’s songs
11. Make use of more samples (Replacement)
It starts with
1st Replacement (6:19)
It starts with
pt.2 replacement (6:13)
It starts with
3rd replacement (4:00)
12. Interviews with the Experts
It starts with
Sabino Cannone (MoReVox) Interview (47:50)
It starts with
Marco Sonzini (Speakeasy / Hanson Studio) Interview (24:30)
It starts with
Mirco Sapienza (Zerorumore.com) Interview (28:16)
13. Exercises for the Rhythm
It starts with
Exercise Scheduling (19:17)
Learn the fundamentals of mixing – Marco Sonzini (Speakeasy Studio – Los Angeles)
Working together – the PRO
In corso was designed in partnership with several industry specialists.
In a lengthy mix tutorial, Marco Sonzini ( Vasco Rossi, E.Ramazzotti, A.Guzmán, Kevin Bacon, J.Darthés, Club Dogo ) will teach the fundamentals of editing, equalization, dynamics, mix, and mastering.
Sabino Cannone, another worldwide sound engineer ( David Kahne, Paul McCartney, Tom Jones, Jessie J, Lo Stato Sociale, Tiromancino, Mannoia, Baglioni ) will provide practical assistance on all aspects of registration.
Mirco Sapienza of Zerorumore.com will explain the basic concepts in acoustic treatment and the errors to avoid.
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